![]() The more appropriate name for work, if one is really needed, is that adopted by German audiences: mit dem Paukenschlag-with drum stroke. After all, dynamic contrast was thoroughly established musical element long before Haydn closed soft string passage with loud, full orchestra exclamation point. ![]() 94 simply because of a single loud chord occurring at the end of the quiet second sentence of the Andante movement. Perhaps the least well-consider title is Surprise, append by English audiences to Symphony No. Whether aptly or gratuitously title, name works stand on their own very remarkable merit, needing no extra-musical suggestion to enhance, define, justify, or distinguish them. In observing that some 29 of Haydn's 104 Symphonies have names affix to them, one is moved to paraphrase Shakespeare by saying that Haydn's Symphony with no name at all would sound sweet.
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